Journal introduction:

Since its inception in 1983, The Opera Quarterly has earned the enthusiastic praise of opera lovers and scholars alike. In 2005, David J. Levin, a dramaturg at various opera houses and critical theorist at the University of Chicago, reconceived the journal with the goal of extending its reputation as a rigorous and cutting-edge forum for all aspects of opera and operatic production. Today, The Opera Quarterly sits squarely at the intersection of performance, theory, and history. Fundamentally interdisciplinary, it addresses both historical and contemporary developments on the stage and in the academy, embracing opera as well as considerations of voice and musical theater more broadly.

Frequency：4 Issues Per Year

Editorial Board
Executive Editor
Christopher Morris
Maynooth University, Ireland

Emanuele Senici,
University of Rome La Sapienza, Italy

Managing Editor
Rebecca Fitchett
Reviews Editor
Micaela Baranello
Temple University, USA
Publishers: Sending books for review

Editorial Board
Lydia Goehr, Columbia University, USA
David Gutkin, Johns Hopkins University, USA
Wayne Heisler, The College of New Jersey, USA
José Manuel Izquierdo König, Pontificia Universidad Católica de Chile, Chile
Clemens Risi, Friedrich-Alexander-Universität Erlangen-Nürnberg, Germany
Jessica Peritz, Yale University, USA
Arman Schwartz, King's College London, UK
Mary Ann Smart, University of California, Berkeley, USA 
Heather Wiebe, King's College London, UK

Abstracting and Indexing Services
The Opera Quarterly is covered by the following abstracting/indexing services:

ISI Arts & Humanities Citation Index
ISI Current Contents
Humanities Index
IBR (International Bibliography of Book Reviews)
IBZ (International Bibliography of Periodical Literature Covering All Fields of Knowledge)
Music Article Guide
Music Index
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